The Yacht Owner Thought My Dock Slip Was Easy to Take. He Had Not Met Tommy Pruitt

Part 3 of 3

The harbor board met in a low brick room above the fuel dock, with a window that looked straight out at the water. On Tuesday morning the chairs were full, and so was the back wall.

Gordon Whitfield came in wearing a pressed navy blazer and carrying a leather folder. He was a tall man with a tan that had not come from one afternoon on the Gulf. He nodded politely to the board and sat down like a man who expected to be finished quickly.

He made his case in plain business words. The Aurelia was a sixty-two-foot motor yacht, a valuable asset, and he was prepared to pay a fair fee for a berth at Bayou Crest. He spoke about how small boats could be moved to another dock without much trouble.

I sat in the back row with the logbook on my knees and said nothing.

Marisol let him finish. Then she looked over the room and said, “Mr. Mabry, would you like to speak?”

I stood up. My knees complained. I walked to the front and opened the book to the first page I needed.

Before I could say a word, Tommy Pruitt got up from his chair near the window. He was sixty-six now, with gray in his beard, and he walked up next to me without being asked.

“March 14, 1989,” Tommy said. “Shrimp boat, off Perdido Key. Ernie Mabry pulled me out of the water. I went back for my gear, and he told me to get in that basket or he’d leave me for the fish. I’m alive because of that man.”

Then Luis Arceneaux stood up from the board table. He was soft-spoken, the one who kept the minutes, and when he spoke the room got very quiet.

“September 8, 1996,” Luis said. “Hurricane Fran swells. My charter boat was going onto the jetty. Ernie got a line to us and brought us clear. I had a wife and two girls at home. I have never forgotten who held that line.”

Gordon Whitfield looked from one man to the other and then down at his folder, as if the numbers had changed.

Marisol stood and unfolded the 1995 agreement. She read Rafael Ibarra’s words out loud, every line, the promise and the date and the witness’s name. When she finished, she set the paper down gently in front of Gordon.

“This marina keeps its promises,” she said. “That was my father’s rule, and it’s mine.”

She picked up the vacate notice from the table, the one that had come from the Destin office, and tore it straight across, then across again, and dropped the pieces into the wastebasket beside her chair.

“Slip D-14 belongs to Ernest Mabry for as long as he wants it,” she said. “The board will record that.”

Luis wrote it in the minutes without looking up. Tommy nodded and sat back down with a grunt of satisfaction.

Gordon Whitfield stood up slowly. He looked older than he had when he walked in. He crossed the room and stopped in front of me.

“Mr. Mabry,” he said quietly. “My attorney sent that notice without the marina’s consent. I assumed it was handled. That was careless of me, and I’m sorry.”

I nodded. “Thank you, sir. I know you didn’t mean any harm by it.”

Out on the dock afterward, the wind was blowing cool off the bay. Kendra was standing near the rail with her arms folded, and she watched her father walk away down the boards without a word. Then she turned to Dale, who had come down to the marina with her after all.

“Dale,” she said. “Would you go out on the water with him this weekend? Please. He’s never once asked either of us for anything.”

Dale looked at me. For the first time in a long while, he did not look away.

On the first clear morning that November, the water was flat and gray-blue and the sun was just coming up over the pines. I backed Second Watch down the Bayou Crest ramp with my son on the bow line, and his hands were steady on the rope.

Slip D-14 was waiting for us, just where I had left it. I have come to think a man’s record is only worth something if somebody remembers it when it counts. Tommy and Luis remembered, and so did Marisol, and so, at last, did my boy.

— The End —

This is a work of fiction. Names, characters, places and events are products of the author’s imagination; any resemblance to actual persons or events is purely coincidental. Images are illustrations.

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